Can take a lot of heat and can be worked in a wide range of flame settings. Stay out...[more]
When worked in an oxidizing flame this color produces smoky blues and sea greens. When reduced, NS-03 Multi yields...[more]
A more intense version of NS-03 Multi that will yield similar effects, but much more pronounced. When worked in...[more]
A bright transparent striking orange that is well suited for sculpture, bead work and moderately thin blown work. Work...[more]
A more saturated version of NS-05 Orange. It is well suited for thin blown work, cane work, or when...[more]
A medium intensity-striking Ruby. Work in an oxidizing flame. It can be kiln or flame struck. (For clearest Ruby...[more]
A vibrant transparent striking Ruby. Work in a neutral to slightly oxidizing flame. It is designed to be kiln...[more]
The most saturated of the transparent striking Rubies. Work in an oxidizing flame. Designed primarily for flame striking, but...[more]
If worked in an oxidizing environment, NS-09 Yellow will yield a transparent golden yellow. If worked in a neutral...[more]
Slightly heat sensitive. Work gently at first in a cool oxidizing flame. Do not overheat. Encase with care. [more]
Work in an oxidizing flame for purples. Reduction yields an opaque milky amber hue. Can be flame or kiln...[more]
A nice medium intensity striking color. Oxidize for metallic blues. Reduce for rich opal sea greens. [more]
A more saturated version of NS-14 Irrid. Oxidize for smoky blues. Reduce for vibrant greens. [more]
The lightest of the cobalt blues. It is not sensitive to flame atmosphere. [more]
A rich cobalt blue well suited for blown applications. Work in an oxidizing flame to prevent dulling or graying....[more]
A light transparent that is not sensitive to flame atmosphere. [more]
A nice transparent shade for sculpture and blown applications. Work in an oxidizing flame to prevent red streaking. [more]
A light transparent flesh tone well suited for sculpture. It is not sensitive to flame atmosphere. [more]
Work in a hot oxidizing flame. Oxidize for purple, reduce for amber. Must burn off "haze" for more brilliant...[more]
A high intensity striking color. Slight reduction will yield bright green metallic hues. Prolonged exposure will yield earth tones....[more]
A light bluish purple transparent color. It is not sensitive to flame atmosphere. Resistant to excessive heat & washes...[more]
The most saturated cobalt blue on the market. Work in a heavily oxidizing flame to prevent graying. [more]
A lighter version of NS-09 yellow. It produces a warm hazy glow when reduced or kilned. [more]
A versatile striking color. Oxidize for creamy hues. Reduce for a slight silvery tone and deeper browns. [more]
An earthy red color. Work in a neutral to oxidizing flame. The color will strike to a deeper red...[more]
A lush bright silvery color. Oxidize for creamy tan hues. Reduce for a bright mirror-like sheen. [more]
A saturated striking color. Oxidize for brilliant blues and greens. Reduce for sea greens and matte grays. [more]
An exciting striking color. Oxidize for blues and magenta hues. Reduce for greens and earth tones. For additional information...[more]
Oxidize for purples. Reduce for opaque sea greens. Refer to the Amber Purple section for working information. [more]
A more intense version of NS-48 Light Blue Amber/Purple. Oxidize for purples. Reduce for opaque sea greens. Refer to...[more]
A bright fully opaque green. Work in an oxidizing flame and heat slowly. It can boil if heated aggressively....[more]
A fully opaque white. It is not sensitive to flame atmosphere, but heat slowly and gently to prevent boiling....[more]
A bright fully opaque baby blue. Sensitive to atmosphere, work in a soft neutral to oxidizing flame to prevent...[more]
A dark opaque blue. Work in an oxidizing flame to prevent graying. Heat gently and slowly to prevent boiling....[more]
A light opaque green. It is not sensitive to flame atmosphere but must be heated slowly to prevent boiling....[more]
A bright opaque pink. It is not sensitive to flame atmosphere but heat gently to prevent boiling. See the...[more]
A bright Intense Opaque yellow. Work slowly in a cool oxidizing flame to prevent boiling. See the Heat Sensitive...[more]
A bright Intense Opaque orange. Work slowly in a cool oxidizing flame to prevent boiling. See the Heat Sensitive...[more]
A bright Intense Opaque red. Work slowly in a cool oxidizing flame to prevent boiling. See the Heat Sensitive...[more]
A bright signal light green. It is not sensitive to atmosphere. [more]
The ultimate amber/purple. Work in a hot oxidizing flame. Refer to the amber/purple section for a working guide. [more]
A cool water blue. Work in an oxidizing flame to keep the clarity. Reduction causes reddish streaking. [more]
A lush transparent blue/green. Work in an oxidizing flame to keep the clarity. Reduction causes reddish streaking. [more]
An opaque green aventurine color. It is not overly sensitive to atmosphere, but work in a neutral to slightly...[more]
A deep blue aventurine color. Work in an oxidizing flame. [more]
A deep green based black with excellent working properties. Work using a neutral to oxidizing flame. [more]
A smooth, deep opaque blue. Work in a neutral to slightly oxidizing flame. [more]
An exciting color that can be kiln struck to yield a wide array of silvery purples and pinks. Work...[more]